Book review: The Girl Who Came Out of the Woods by Emily Barr

the girl who came out of the woods postcardFor the first sixteen years of her life, Arty lives in paradise. She, her parents and a group of idealists have built a small community in a clearing in the middle of the Indian forest. It’s not an easy life but it’s a happy one – a matriarchal society where every community member is a god or goddess, decisions are made by consensus and her biggest worry is whether the monkeys are going to steal their food.

However one night everything goes horrifically wrong and Arty finds herself stumbling out of the trees into the 21st Century, to a world she has been taught to fear. Her old life is gone forever – but can she make a new one in this crazy place of money, Bollywood, ice cream and Instagram?

Can she make a new life in this crazy place of money, Bollywood, ice cream and Instagram?

Lonely and traumatised, faced with a family she’s never met – some of whom have secrets of their own – Arty needs to figure out who she can trust and who to fear – not an easy task when her mother’s last advice to her was “don’t go into the basement.”

Not everybody in the outside world has Arty’s best interests at heart.

I’m already a fan of Emily Barr’s, but I grabbed this one with extra enthusiasm because I love a cult – any story about a group of people trying to break away from society and think differently always fascinates me. This one’s a bit different though – in most books the cult becomes twisted, dominated by poisonous groupthink and manipulation. But in this story it’s the outside world which is a dark and terrifying place and the “cult” could teach us a thing or two about getting along.

There’s so many elements to this book it’s difficult to classify. It’s a thriller, full of thrillery tricks and twists and darkness. It’s a novel about travel and adventure. It’s also a coming-of-age story with a vein of wry humour running throughout, along with a sense of wonder and hope for the future. Each of Emily Barr’s books is stronger than the last and I’m looking forward to seeing what she does next.

The Girl Who Came Out Of The Woods is out now

Cover of the girl who came out of the woods

Two other books about cults or isolated religious communities…

Laurie and Martha are a power couple with the world at their feet – but Laurie is still traumatised by the years she spent in the clutches of a controlling religious sect and when it gets too much she holes up in a tiny, secret room in their house. Then a man from her past appears and begins manipulating her teenage daughter. The Hidden Room by Stella Duffy uses the minutiae of everyday life and the horrors of the cult to create a tense, atmospheric story.

Educated is Tara Westover’s gorgeously written memoir of her strict, religious upbringing in the remote countryside and it’s absolutely fascinating. School was banned, traditional medicine was forbidden, the End of Days was always around the corner and violence was an everyday occurrence. As she grows up Tara faces a choice – remain loyal to her father despite growing doubts about his views or educate herself and alienate the family she loves.

And two I can’t wait to read…

The Rapture by Claire McGlasson is a debut novel about a “terribly English cult” called The Panacea Society – devoted member Dilys strikes up a friendship with new recruit Grace, but as their leader’s zealotry increases their faith, and the community, begins to fall apart… Out 6 June 2019

Crime writer Alex Marwood has long been fascinated by cults, narcissistic leaders and groupthink and her book The Poison Garden tells the story of Romy who escaped a toxic cult and, like Emily Barr’s Arty, doesn’t know who to trust in the outside world. Although if I know my Marwood, this story is going to get very, very dark… Out 25 July 2019

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I wrote a book in three weeks and it changed everything

A few months ago, I wrote a book in the space of a few weeks. It wasn’t a particularly long one – just 12,000 words and it wasn’t a masterwork of fiction poured from my heart through the filter of my amazing literary talent.

In fact if I had to define it, Everything You Need To Know: Kings And Queens Through The Ages is one of those fun books you give to people at Christmas and then spot in their downstairs loo months later. But hey – a book is a book.

A friend put me in touch with a new publishing company which was planning to roll out a whole Everything You Need To Know series and needed writers. I fancied a new challenge and after a couple of enthusiastic emails I had myself a tasty commission. There was one small problem – they wanted the book in three and a half weeks.

All it took was a punishing deadline and the will to ignore my family

And so I was off, researching up a storm. I spent hours in my local library scouring biographies for light-hearted trivia, trawled Wikipedia for leads then disappeared down a wondrous rabbit hole of historical blogs and academic papers. In the process I became an expert on things I’d never been remotely interested in before. I found myself watching The Crown saying things like “Of course Princess Margaret’s been on a bus” or “ooh look, it’s the Poltimore Tiara!”

And as I worked, the words just came – lining up gleefully on the page as I discovered each treasure trove of trivia. It was tons of fun. Of course when this happens it’s usually a sign that the work will need some serious editing later on but the fact remains: at the beginning of the month there was no book – three and a half weeks later, there was one.

By then I was knackered – I’d been doing all my regular freelance work alongside it so had been working until 2am for weeks – but also kind of exhilarated. Because after spending years in limbo with my own novel, tapping out the odd paragraph between commissions, I realised I could write something long-form (well long-ish), and write it fast. All it took was a punishing deadline and the will to ignore my family for set periods of time.

And so, in the weeks that followed I came to a decision. For years I’d been struggling to fit my fiction writing around the demands of a fast-turnaround freelance job, plus the needs of two small children and a raggedy, untidy house. As a result my novel has inched along slowly, sometimes lying neglected in my Dropbox for weeks. It’s time to make a change, to take a run at it like I did with Kings & Queens.

And so from the end of last year that’s what I started to do.  I dropped all freelance work except book reviews – I could never give up book reviews. And while it was incredibly painful it was also a huge relief because for the first time in years I was prioritising the career I wanted.

Having time to concentrate made all the difference

A few months later, I have finished editing the manuscript of my YA crime novel, The Girl Who, and have started sending it to agents. Having the time to concentrate on this project has made all the difference. I know I’m privileged to be able to do it, that I have a husband in work who is able to shoulder the financial burden for a while – many others don’t have that luxury. It’s no wonder the world of writing is so inaccessible for so many – there’ll be a blog on this in the near future as I have a lot to say about this.

Sadly, things did not end well for poor old Kings & Queens. Despite the punishing deadline it’s now languishing in publishing no-man’s-land, like an ageing heir awaiting an abdication, as booksellers didn’t pick it up. But still, it could be the most important book I ever wrote, as it gave me the confidence to carry on.

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Book review: Haunted by Ghost Wall

cover of Ghost Wall by Sarah MossOver a thousand years ago out in the Northumberland countryside a girl was sacrificed: kicked, beaten, tortured and finally buried in the bog by her family, her friends and the people she had grown up with. How could a community turn on someone like that, and why?

This eerie scene leads us into Ghost Wall by Sarah Moss – and the presence of the Bog Girl haunts every page, even as we jump forward into the 1990s.

Why anyone would voluntarily live an Iron Age life is a mystery but a small group of enthusiasts is spending the summer doing just that, camped out on the moors hunting and gathering. The Professor and his students are doing it in the name of research, Silvie’s amateur history-buff father Bill does it to fuel his obsession with the Iron Age and Silvie and her mother are doing it because they do whatever Bill tells them or they’ll pay the price.

Bill dominates his family, just as he believes a prehistoric patriarch would and as the little community divides and violent undercurrents emerge, Silvie is torn between loyalty to him and the growing need to break free.

Every word has been carefully chosen

The unnerving link between Silvie and the Bog Girl adds a darkness and sense of anticipation which pulls the reader deep into the story. Sarah Moss’ lyrical writing is silky smooth – the novel is short and every word has been carefully chosen. The lack of quotation marks can make the dialogue a bit difficult to follow, though.

Despite the blurb this isn’t a twisty thriller or a horror novel. Instead it’s punching at bigger themes: domestic abuse, teenage identity and even class issues (part of Bill’s rage springs from resentment – as a working class man he’s patronised and has never been free to pursue his passion for history.)

But at the centre of this book is a bigger question. How many steps away are we from the kind of savagery and superstition which killed Bog Girl? And will Silvie follow in her muddy footsteps, thousands of years after? A disturbing, offbeat and haunting story.

Ghost Wall is out now.

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How to edit your novel on Kindle

It’s been two months since I typed The End on my manuscript. I thought it would feel exciting and wonderful, but actually I felt kind of flat. Because although I was pleased to get to the end of my first draft – SIX FLAMING YEARS after starting it – I also knew there was tougher work to come. I dreaded the process of picking apart my hard-woven words, taking out all those flowery bits which seemed so beautiful at the time and crunching the plot.

Yup, I was dreading the editing process.

There’s just something about scrolling through a Word document which bogs me down. I pick apart sentences and shift words around but it’s impossible to step back and look at the broader flow of the story or check the pacing. Reading on-screen or even in an A4 printout doesn’t feel the same as reading a book.

I had the chance to read my book as the average reader would

Before Christmas I sent the manuscript to a kind, generous and straight-talking author friend for feedback and she asked me to send it to her in ebook form so she could read it on her Kindle. After an initial technophobic panic, I downloaded an app called Calibre which allows you to convert Word documents to .mobi or .epub files so they can work on an e-reader. Self published authors will know this process well, but it was new to me.

It suddenly dawned on me that I had the chance to read my book as a reader would. On a Kindle while sitting on the bus, lying in bed or brushing my teeth (Just me? Probably.)

It didn’t take long to convert the latest version of my MS (instructions are below if you haven’t done it before) and I got a genuine kick out of seeing my words on the Kindle screen. It felt more like an actual book than it ever had before.

Reading in that format prevented me from stopping every few minutes to perform major (probably unnecessary) surgery on an actually-probably-OK paragraph but I could still use the highlight and note features to jot things down as I went along.

It’s been a completely refreshing, new way to look at the book and definitely worth doing if you’re in a slump. Once I’ve finished, I’m planning to keep the ebook in front of me as I make changes which makes me feel one step ahead on the brutal editing process – and one step closer to getting my book off the ground.

How to turn your MS into an e-book (for editing, not self-publishing purposes)

This might be a completely bleeding obvious process for some people, but super handy for others, like me, who are new to this malarkey.

screenshot of calibre app open on a desktop

The Calibre window open on my desktop

1: Download Calibre online. My computer runs on Linux rather than Windows, which is probably why the screen grabs look a bit weird – but Windows versions are available. I used a dummy Masterpiece for the screen grabs – that obviously isn’t the title of my book. I did this because I STILL CAN’T FLIPPING THINK OF A GOOD TITLE FOR MY WIP DAMMIT.

2: Open Calibre and go to Add Books to import your document.

click on Output Format at top left to convert to .mobi

Add a cover then click on Output Format at top left to convert to .mobi

3: Then select your book and click on Convert Books. Go to Output Format and select .mobi for a Kindle. Other readers can run .epub documents. I added a random photo of an Elvis impersonator as a cover, just to see if it worked. It showed up in the actual document but, disappointingly, not on my Kindle homepage.

4: Hook up your Kindle to your computer and drag-and-drop your mobi into the documents folder with your other ebooks. You can obviously try to email it using your Kindle email address but I’ve had patchy results with this.

If you decide to try this too – or have used it lots before – let me know how you get on!

All about being stuck in the middle of a novel with no end in sight

How writers need networks

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Twisted fairy tales: The Hazel Wood and beyond

If you’ve ever read real fairy tales, you’ll know the concept of a fairytale ending is far from perfect. Before Disney got his sugar-coated hands on them, they were dark, stark teaching tales – some of them with an obvious moral, others simply twisted stories that people passed around at night to scare the petticoats off each other.

page from a fairy tale book illustrating rapunzel including a picture of a witch and tangled treesBluebeard’s chamber was full of the corpses of his former wives, characters are blinded, torn apart by wild animals. It’s worse of course if you’re the stepmother. You could be tricked into eating the minced-up body of your own daughter, rolled down a hill in a barrel lined with nails or, if you were foolish enough to be cruel to Snow White, you could end up with your feet being forced into red-hot iron shoes and dancing yourself to death.

Nope, real fairy tales – not so nice.pages from a fairytale book pictures of two giants on the rampage

Over the years many authors have drawn inspiration from this fairytale darkness, but Melissa Albert takes it to a new level. Her novel, The Hazel Wood, manages to out-grim the Brothers Grimm.

Seventeen-year-old Alice spent her life on the run across America with her wonderful but erratic mother, who was always bundling her into the car and hitting the road at the first sign of trouble. It’s no wonder that she becomes obsessed with her rich, eccentric grandmother, Althea Prosperine.

The Hazel Wood manages to out-grim the Brothers Grimm

Althea’s book of fairytales became a cult hit in the postwar years, enabling her to buy a huge estate north of New York, called The Hazel Wood. She since became a recluse, and her book mysteriously vanished from shelves which only feeds Alice’s fascination.

Then Alice’s mother is kidnapped and Alice herself begins to realise that the frighteningimage of a fairytale book open at an illustration of the wild swans creatures from her grandmother’s tales might not be fictitious after all.

The Hazel Wood’s strength is that Melissa Albert has weaved a whole host of new tales rather than relying on the ones we grew up with, so they feel oddly familiar but warped and twisted. Some of the stories are woven into the book, but others are just alluded to, with horrific names such as Twice Killed Katherine.

I’d like to have read more of the actual fairytales themselves, although it could be the author decided to keep us in the dark to add to that sense of the unknown. Perhaps there’ll be a spin-off volume later, JK Rowling style.

Cover of The Hazel Wood by Melissa AlbertIt’s a hugely accomplished book for a debut author, beautifully written and atmospheric. The heroine is tough, scrappy and flawed – although her anger issues are more talked-about than experienced, it would have been fun to explore them more. I had a bit of a crush on her sidekick, Ellery Finch. I’m not at all surprised that the film rights have been sold already.

After finishing The Hazel Wood I immediately went to my fairy tale shelf (yes, I have one) and dipped into The Annotated Brothers Grimm, edited by the incredibly knowledgeable Maria Tatar. Re-reading Tatar’s matter-of-fact tone and footnotes, plus ominous titles such as The Hand With The Knife, the link with The Hazel Wood is clear to see. Pick up a copy of both and dive in… Just don’t read them to your children.

The Hazel Wood is out now

The images are from my 1970s volume of Classic Fairy Tales, which is what started this whole thing for me in the first place.

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The Feed: a chilling glimpse into our future?

What’s the weirdest place you’ve ever checked your social media? On a mountain top with an incredible view? In a meeting? In the bathroom while brushing your teeth? When you’re supposed to be talking to a real live person right there in front of you?

If you tick no to all these then congratulations, you are a wholesome human being and I envy you, because I am unashamedly hooked. My life and routine are such now that I don’t get many moments to myself and if I do, the quickest easiest way to entertain myself it just to check up on what everybody else is doing.

the Feed goes down and civilisation comes to an end

In the Nick Clark Windo’s The Feed, society has taken this to the next level. The Internet has jumped out of our phones and is in our heads – no screens, no keyboards, just a constant stream of knowledge, chatter, sponsored content and the real gut feelings of our nearest and dearest.

The whole world is using it – crowded restaurants are silent because everyone is interacting online, you witness a crime being committed and the Feed tells you where you can buy the attacker’s trainers, nobody can read any more because information is delivered straight to the brain.

But then a series of mysterious assassinations and terror plots begin and, one terrible night, the Feed goes down and civilisation comes to an end. Many people die from the shock – the author compares it to a sudden lobotomy.

cover image of the feed by nick clark windoThis is a fantastic Black Mirror-esque idea for a tale and the hook dragged me in straight away, but at first I did find the book a little frustrating. I wanted to know more about the Feed and the mysterious Taken people and less about the post-apocalyptic mess which followed its collapse. And I couldn’t quite warm to Tom and Kate, the nice middle class couple caught up in it all as they search the countryside looking for their missing daughter. I also didn’t truly buy into the idea that almost everyone on the entire planet – rich and poor, developing and developed world – had the feed in their brains. What about the underclass who could never afford it – they’d really come out on top in this world… But that’s probably another story.

It’s a fantastic Black Mirroresque idea

Then on page 183 (of my copy) something happens which made me go oohhhh… then I started racing through it. The characters have more depth then, more potential for pain and growth. And there at last were the glimpses of what went wrong with society and the explanation was more imaginative and fantastical (but plausible) than I could have suspected. A genuine surprise twist which, when you look back, is actually very nicely set up without leaving any obvious giveaways. That sort of thing is hard to find these days.

And through the paciness and the fight to survive in the ruins of society there is some real stuff to think about here. The Feed sounds like a horrifying thing but it has its good side too – the joy of sharing and communicating with the entire world, the strength of having so much knowledge right there in your head. These days it’s almost accepted without question that social media is a menace, it’s addictive, it’s taking people’s heads out of the real world. But it does good things too. People find their tribes – cosplayers, knitting addicts, soap fans. And for some people, like those struggling with racism, homophobia or transphobia in their own offline communities, going online and knowing they’re not alone is a huge source of strength.

Like the Internet we know and love/hate, The Feed a mixed bag. And it’s definitely something to think about next time I check my Facebook updates under the covers at 6.30am.

The Feed by Nick Clark Windo is out now

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The Chalk Man: A creepy 80s thriller… a fun book launch

Set in the 1980s and the present day, The Chalk Man is one of my top thriller picks in a pile of chalk man hardbacksmonth teeming with twisty tales. It’s a brilliantly original idea: in the 1980s a gang of kids use chalk figures to communicate with each other. It’s all innocent, although somewhat creepy-looking fun until the day the chalk figures lead them to a body hidden in the woods. Thirty years later the gang has moved on, but has to confront the past when the figures start appearing again…

It’s a killer hook and debut author CJ Tudor has woven a confident, evocative story with great characters and a Stephen King-esque feel to it. It helps if, like me, you grew up in the 80s and have fond memories of Buckaroo, The Goonies and BMX bikes but readers of any age will relate to that feeling of being a child, yearning for adventure and stressing about how much your friends really like you.

There are a few chinks in the tightly-plotted armour but it’s such an absorbing, exciting story that I was completely carried away. Definitely worth reading. I’ve also heard great things about her next novel – involving an eerie abandoned mine in the North of England.

CJ Tudor with publicists jenny platt and laura nicol

CJ Tudor with her fab publicity team

So I was thrilled to venture out of my writing and reviewing cave to attend the book launch last night. It really is great to see a debut author so blown away by the response to her book and to learn that her love of the 1980s is very passionate and real – after five minutes chatting to her I was desperate to go off and rent The Lost Boys again.

Her story is also an inspiration to aspiring novelists everywhere. Caz was running a dog-walking business when she was inspired by her daughter Betty’s chalk drawings on their driveway. As she played fetch and scooped poop, the plot refined itself in her head.

It wasn’t her first attempt at a book – she’d been writing on and off for 10 years and that practice really shows in her writing – her agent admitted she was blown away at the first reading and it went onto become the agency’s fastest-selling debut. The book has already been sold across the world in multiple languages.

So although the book has an unnerving atmosphere, the scene at the launch venue, The Driver pub in North London, was celebratory and full of hope and excitement. I’m looking forward to seeing what CJ Tudor does next.

The Chalk Man by CJ Tudor is out now

creepy image of a hangman drawn in chalk

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Book review: The Truth And Lies of Ella Black

the truth and lies of ella black by emily barrElla Black is a good girl, to the point of boring. She studies hard, she keeps her head down and the craziest thing she’s ever done is dye her hair purple. But the reason she’s so good is that she has an alter-ego – the violent, destructive Bella. The first time Bella makes an appearance she does something so shocking I almost dropped the book and it’s clear why Ella needs to keep on the straight and narrow and keep Bella under control.

But then one day her parents collect her from school early and, without explaining why, fly her to Rio de Janeiro. There Ella learns the truth about herself – a truth which unleashes Bella in all her crazed glory and that means her safe, comfortable life has gone forever…

That’s the setup for The Truth And Lies of Ella Black, by Emily Barr – who specialises in weaving travel and exotic locations into gripping plots. This is her second novel for young adults (I also loved The One Memory Of Flora Banks last year) and I know fans are going to love it.

Teenage me loves Ella’s longing for adventure… adult me loves the dark suspense

Whenever I read a YA novel there are actually two people reading. There’s me – the not-so-young adult writer and book fanatic, and then there’s teenage me holed up in my pretentious looking bedroom waiting for the day when something will happen to change my life forever too.

teenage me sitting at my desk with lots of books in the background and my pet dog jack photobombing me

Teen me in my bookish bedroom being photobombed by my collie, Jack.

Most of the time the books I love now aren’t the same as the books I loved then. I never wanted to read about girls like me, going to school and worrying about friendships and boys – I had enough of that in my day to day life. I wanted fairytale romance and pure escapism. These days I like my stories grittier, my characters more flawed. But Ella Black appeals to both versions of me.

What Emily Barr does so well is create a sense of escapism – for teens desperate to explore the world her description of the beaches, streets and favelas of Rio is compelling and addictive – like Ella you want to find out what’s around the corner. Teenage me loves Ella and identifies with her longing for adventure – adult me loves the dark suspense over what Bella will do next and the slow creeping realisation of what her secret really is. All of me wants to book a ticket to Brazil, like, RIGHT NOW.

It’s a thriller, a coming of age novel with a splash of South American colour a slice of romance and added zombie parades. Teenagers of all ages will long to dive in.

The Truth And Lies of Ella Black by Emily Barr is out now

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Book review: The Unexpected Joy of Being Sober

Around three years ago, my former colleague and friend Catherine Gray told me that she was a recovering alcoholic. For about two seconds I couldn’t have been more surprised – and then our whole history suddenly fell into place and I went ohhhh…

It explained why, after working like mad to build a career she clearly loved, she started Cover image of the unexpected joy of being sober by Catherine Grayrolling in late and taking Mondays off sick. It explained all the mysterious bumps and bruises and injuries. It explained why the features team used the words “totally Cathed” as a euphemism for steaming drunk. And now I understood why, on our way out of a work Christmas party, I’d had to stop Cath jumping into a limo full of men on a stag.

It also showed me something else – how easy it is to ignore something that’s going on right under your nose, and how ill-equipped the modern working world is to deal with it. And if I’d known, what could I have done? “Nothing,” Cath told me – and of course she was right. When someone wants to drink it takes more than a concerned boss to stop them.

What eventually did stop Cath was her own decision and the sheer strength of mind to follow it through – after a lot of false starts and endless soul searching she found her own personal way to get sober and did it. I’m in awe of her for this achievement – but even more so because she’s shared it in a book: The Unexpected Joy of Being Sober.

The adventures don’t stop after she quits – they just change

I’m not usually a big fan of sober-lit – so many rehab memoirs focus on fabulous drinking stories until we’re actually a bit disappointed when they quit. But this one is different: Yes, there’s a fair few celebrity snogs and drinking den adventures but she also shares the process she went through. The times she tried and failed, the things which worked for her, the things which didn’t. Like a good magazine journalist she pulls in statistics and facts to support her argument. And she does a great sales job on the sheer joy of sobriety that waits on the other side.

Because Cath’s argument is that life just gets better and better after you stop drinking. That it’s worth going to bed at 1am if you’re up in time for a hangover-free sunrise. The adventures don’t stop after she quits – they just change. She travels, she makes friends and discovers new things about herself. The sheer joy of her life shines through in her writing, in an honest and totally non-preachy way. It’s also entertaining – even when she’s describing her lowest ebb she does it with wit and humour and without any anger or frustration.

When someone you know writes a memoir, the first thing you do is check out any references to yourself*. The second thing you do is agonise over whether that ambiguous statement in chapter 42 was actually about you and whether, if that is the case, you should apologise. The third thing is to feel an odd sense of pride that a person you know has clawed into the depths of their own experience and created something wonderful and life affirming out of it. And, even though you’re not their mother, and nor did you actually help with the book in any way, you still feel curiously proud to know them.

The Unexpected Joy of Being Sober is out now

Follow Cath on Twitter @cathgraywrites

*My wedding was in it! Luckily it’s the one she enjoys. She and her friend were pretty much the life and soul of the party.

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Tales of a book reviewer

I’ve just finished a nine month stint reviewing books for Good Housekeeping. Their Huge bookshelf stuffed with booksBookshelf page is one of the most densely populated ones in monthly magazines – around 15 slots to fill each month and, because obviously not every book makes the cut, you have to dip into considerably more than that.

Some months it was a struggle – I was speed-reading into the night, getting to the end of yet another wannabe Gone Girl and groaning when I realised that the twist at the end was just too stupid. Finishing a review only to find the publication date had changed and I had five hours to find a replacement for the page. Or realising that a novel didn’t live up to the hype surrounding it.

But most of the time it was brilliant. Receiving a pile of review copies in the post never got old – although my postman may have aged prematurely. Attending book launches and chatting with fellow book buffs online made me feel part of a wonderful community.

The process of sorting through a week's #bookpost

The process of sorting through a week’s #bookpost

But the best thing about the job was being surprised. There are plenty of books I expected to love and did love, but nothing beats the feeling of picking something up without any particular expectations and then suddenly feeling a deep connection with it. Here are some which really took me aback:

 

 

In Shock by Dr Rana Awdish We’ve had medic-turned-patient memoirs before, like the amazing When Breath Becomes Air, but the urgency and pace of this really grabbed me. And she has such fascinating thoughts on the doctor-patient relationship and where communication goes wrong.

The Gentle Art of Swedish Death Cleaning by Margareta Magnusson – I generally avoid anything which feels a bit hypey. All those books about how great French women are, others urging me to get hygge or live lagom… But the author is so wise and charming. She’s aged “somewhere between the age of eighty and a hundred” and I fell in love with her warm, wry and understated tone.

When will I learn never to rule out entire authors or genres?

The Stolen Marriage by Diane Chamberlain – she’s a big best-seller but I had her down firmly in my head as “not my thing.” Silly me, when will I learn never to rule out entire authors or genres? I had a really good time reading this one and the direction of the story surprised me.

And that’s the best thing about my time reviewing for GH – stretching my reading boundaries. When you have small children days and weeks pass without reading anything at all, but this forced me to read – without procrastinating or rejecting a book because I wasn’t in the mood for a particular genre. I tore through romantic fiction, speculative fiction, literary fiction, sagas, bestsellers, poetry, bonkbusters… anything. My brain has been jump-started, my writing has improved (honest!) and now my reviewing time is up (their wonderful books ed is back from maternity leave) I’m planning to keep going and going. Watch this space.

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