Book review: On Midnight Beach by Marie-Louise Fitzpatrick

A dolphin rocks up in the bay of an impoverished Irish village in the hot summer of 1976, transforming the lives of the local community. For the adults, it’s a chance to cash in, selling ice creams and boat trips but for Emer it’s a chance to connect with a wild creature, a means of escape from her restricted life at home – and a link to local badboy loner Seth “Dog” Cullen. She lives for her midnight visits to the beach with her friends, when the tourists have gone home and they can swim with “their dolphin” in peace. But the village’s good fortune enrages kids from the upmarket town nearby and a bitter feud rips the two communities apart. Emer, Dog and their friends find themselves trapped in the crossfire.

An undercurrent of threat and violence runs throughout

Although the story is based on an Irish legend, On Midnight Beach feels gritty and real and although it’s soaked in the hot, stifling details of the summer of ’76 (tarmac melting, plagues of ladybirds, water rationing) it’s modern, fresh and compelling. I started the book slowly and hesitantly because I wasn’t sure where it would take me. The book starts with a shock – the scene of a local girl being mauled by a dog, and Seth Cullen taking drastic action to stop it. It’s an isolated incident but it sets the tone. An undercurrent of threat and violence runs throughout the story, filling you with unease as you read. There are other themes too – like masculinity, toxic or otherwise, loyalty to pointless causes and feeling trapped in the life your family and community expect of you – something all teenagers and many adults can relate to. The characters are what keep you reading on though, especially Emer and Dog, the noble outsider who becomes a natural leader.

I was desperate to find out what was going to happen, but knew deep down that this kind of feud escalates, and unless Emer can stop the fighting, there’s only one way it can end…

You can buy On Midnight Beach by Marie-Louise Fitzpatrick here

Or find out about the book I’m writing here

Foul is Fair: blood, vengeance and death by Macbeth

I nearly called this post We need to talk about Foul is Fair, but I didn’t because the “we need to talk about” headline has been done to absolute death. However, cliches aside: we need to talk about Foul is Fair.

Cover of foul is fair by Hannah Capin a bold yellow cover featuring a sharp lipstick with a bloody fingerprint on it

There have been myriad novels about rape culture in American society, about how complacent, entitled alpha males are feted and worshipped and get away with anything while the victim shoulders the blame. From Jessica Knoll’s Luckiest Girl Alive to the uplifting The Nowhere Girls. But this book is different. It’s savage and relentless, just as these men often are. It sets aside the feelings of shame, trauma, self-blame and fear that rape survivors often experience and focuses on one emotion alone: rage.

It focuses on one emotion alone: rage

Like many girls before her, Jade Khanjara is raped at a party by a group of popular boys. This is not the first time they’ve done something like this, they have every intention of doing it again, and nobody is about to stop them. This time, however they’ve picked on the wrong person.

Instead of running to the police or going through therapy, Jade decides to kill the boys and everyone who helped them. She paints her nails, cuts her hair and, with the aid of her three loyal and lethal girlfriends, plots to bring them down.

The title is drawn from Macbeth, and what follows is a feminist revision of Shakespeare’s tragedy, with Jade as Lady Macbeth and her three best friends as the coven of witches who mess with Macbeth’s mind and manipulate him into murdering his closest friends. Each killing is just as grisly as the Shakespeare original, but will Jade, like Lady Macbeth before her, lose her mind with the horror of what she’s done?

This time they’ve picked on the wrong person

Foul is Fair is hypnotically written, slick, elegant and stylised. It’s not for everyone – if you’re looking for nuance, comic relief and realistic murder scenarios this ain’t the place. (The bit where she tells her parents that she’s planning to kill her attackers and they pretty much say “cool, what do you need from us?” was especially unlikely.) But it also speaks to the rage inside us all – the anger we feel when it happens to us or a loved one, or even hearing about stories like the Chanel Miller case. What Jade does is morally dubious to say the least, but thrilling. The concept gets you thinking, and talking and asking difficult questions long after you’ve turned the last page.

Fair is Foul by Hannah Capin is out now. Check it out and let me know what you think!

Lucky me, I received a complimentary early reading copy from the publisher, Penguin.

Book review: The Ten Thousand Doors of January

Sometimes I get to the point in life when I need a little magic, I want to feel what it might be like to live somewhere different, where the rules have shifted. In late December, after a few weeks of reading back to back crime fiction and juggling a terrifying pre-Christmas to-do list I was desperate for something to take me away from all this. So I rummaged through my TBR pile and surfaced with the prettiest cover I could find.

January’s anger as she throws off her old obedient persona is immensely satisfying

I was lucky enough to get a beautifully designed early reading copy of The Ten Thousand Doors of January by Alix E Harrow. Ornate, foil-trimmed cover? Ooh, yes please. Set in the late Victorian era but with magic? Don’t mind if I do. Doors into other worlds you say? Sign me up now.

It’s the early 20th Century and January Scaller is being raised in a privileged bubble by her wealthy guardian, an eccentric collector of antiquities called Mr Locke, when she discovers that there are doors to different worlds, that her father spends his life travelling and seeking them out for Locke, and that an unknown force is shadowing him and closing the doors down permanently.

And when her father vanishes, her comfortable but oppressive life implodes and January must rely on her wits and her friends to survive and track her father.

That in itself would make for a page-turning adventure but it’s the characters which give the story so much more strength – her mysterious gun-toting Lady’s companion Jane Imru, the enigmatic Locke himself and Bad, her lovable brute of a dog. As January is a person of colour, there’s an extra layer of tension and threat to the story. Inside Locke’s protective bubble she’s seen by his rich friends as “exotic” and objectified as a curiosity, which adds to her frustration and disorientation as she grows up. She doesn’t know who she’s meant to be, how she’s meant to behave. Then the moment she steps outside of it and into mainstream 1900s society she is met with a distrust and hostility which would send a lesser person scurrying back to the gilded cage. January’s anger as she throws off her old, obedient persona is immensely satisfying.

If I had one criticism, it’s this: there’s a plot twist that came as a huge surprise to January and absolutely nobody else around her. Which makes her shocked reaction a little unbelievable – but there is a narrative explanation for it, and it doesn’t ruin the story. By then you’re rooting for her and wondering what her next move is going to be.

Alix E Harrow’s love of words comes through in her loving description of stories, books and even the way letters look on the page, but the book is also a tribute to those other world-shifting stories – Narnia, Middle Earth and others. The worlds we all run to hide out in when this one gets a bit too much. When we’re looking for a place where creatures and colours look different or where the brutal prejudices and ingrained social crappiness we put up with every day are washed away, replaced with something just as flawed but deliciously different, full of infinite possibilities. Just what I needed to get me in the right frame of mind for the year ahead.

If it scratches that otherworldly itch for you too, then nab a copy: The Ten Thousand Doors of January by Alix E Harrow is out now

Or read my review of the dark fairy tale world of The Hazel Wood

Book review: The Girl Who Came Out of the Woods by Emily Barr

the girl who came out of the woods postcardFor the first sixteen years of her life, Arty lives in paradise. She, her parents and a group of idealists have built a small community in a clearing in the middle of the Indian forest. It’s not an easy life but it’s a happy one – a matriarchal society where every community member is a god or goddess, decisions are made by consensus and her biggest worry is whether the monkeys are going to steal their food.

However one night everything goes horrifically wrong and Arty finds herself stumbling out of the trees into the 21st Century, to a world she has been taught to fear. Her old life is gone forever – but can she make a new one in this crazy place of money, Bollywood, ice cream and Instagram?

Can she make a new life in this crazy place of money, Bollywood, ice cream and Instagram?

Lonely and traumatised, faced with a family she’s never met – some of whom have secrets of their own – Arty needs to figure out who she can trust and who to fear – not an easy task when her mother’s last advice to her was “don’t go into the basement.”

Not everybody in the outside world has Arty’s best interests at heart.

I’m already a fan of Emily Barr’s, but I grabbed this one with extra enthusiasm because I love a cult – any story about a group of people trying to break away from society and think differently always fascinates me. This one’s a bit different though – in most books the cult becomes twisted, dominated by poisonous groupthink and manipulation. But in this story it’s the outside world which is a dark and terrifying place and the “cult” could teach us a thing or two about getting along.

There’s so many elements to this book it’s difficult to classify. It’s a thriller, full of thrillery tricks and twists and darkness. It’s a novel about travel and adventure. It’s also a coming-of-age story with a vein of wry humour running throughout, along with a sense of wonder and hope for the future. Each of Emily Barr’s books is stronger than the last and I’m looking forward to seeing what she does next.

The Girl Who Came Out Of The Woods is out now

Cover of the girl who came out of the woods

Two other books about cults or isolated religious communities…

Laurie and Martha are a power couple with the world at their feet – but Laurie is still traumatised by the years she spent in the clutches of a controlling religious sect and when it gets too much she holes up in a tiny, secret room in their house. Then a man from her past appears and begins manipulating her teenage daughter. The Hidden Room by Stella Duffy uses the minutiae of everyday life and the horrors of the cult to create a tense, atmospheric story.

Educated is Tara Westover’s gorgeously written memoir of her strict, religious upbringing in the remote countryside and it’s absolutely fascinating. School was banned, traditional medicine was forbidden, the End of Days was always around the corner and violence was an everyday occurrence. As she grows up Tara faces a choice – remain loyal to her father despite growing doubts about his views or educate herself and alienate the family she loves.

And two I can’t wait to read…

The Rapture by Claire McGlasson is a debut novel about a “terribly English cult” called The Panacea Society – devoted member Dilys strikes up a friendship with new recruit Grace, but as their leader’s zealotry increases their faith, and the community, begins to fall apart… Out 6 June 2019

Crime writer Alex Marwood has long been fascinated by cults, narcissistic leaders and groupthink and her book The Poison Garden tells the story of Romy who escaped a toxic cult and, like Emily Barr’s Arty, doesn’t know who to trust in the outside world. Although if I know my Marwood, this story is going to get very, very dark… Out 25 July 2019

I wrote a book in three weeks and it changed everything

A few months ago, I wrote a book in the space of a few weeks. It wasn’t a particularly long one – just 12,000 words and it wasn’t a masterwork of fiction poured from my heart through the filter of my amazing literary talent.

In fact if I had to define it, Everything You Need To Know: Kings And Queens Through The Ages is one of those fun books you give to people at Christmas and then spot in their downstairs loo months later. But hey – a book is a book.

A friend put me in touch with a new publishing company which was planning to roll out a whole Everything You Need To Know series and needed writers. I fancied a new challenge and after a couple of enthusiastic emails I had myself a tasty commission. There was one small problem – they wanted the book in three and a half weeks.

All it took was a punishing deadline and the will to ignore my family

And so I was off, researching up a storm. I spent hours in my local library scouring biographies for light-hearted trivia, trawled Wikipedia for leads then disappeared down a wondrous rabbit hole of historical blogs and academic papers. In the process I became an expert on things I’d never been remotely interested in before. I found myself watching The Crown saying things like “Of course Princess Margaret’s been on a bus” or “ooh look, it’s the Poltimore Tiara!”

And as I worked, the words just came – lining up gleefully on the page as I discovered each treasure trove of trivia. It was tons of fun. Of course when this happens it’s usually a sign that the work will need some serious editing later on but the fact remains: at the beginning of the month there was no book – three and a half weeks later, there was one.

By then I was knackered – I’d been doing all my regular freelance work alongside it so had been working until 2am for weeks – but also kind of exhilarated. Because after spending years in limbo with my own novel, tapping out the odd paragraph between commissions, I realised I could write something long-form (well long-ish), and write it fast. All it took was a punishing deadline and the will to ignore my family for set periods of time.

And so, in the weeks that followed I came to a decision. For years I’d been struggling to fit my fiction writing around the demands of a fast-turnaround freelance job, plus the needs of two small children and a raggedy, untidy house. As a result my novel has inched along slowly, sometimes lying neglected in my Dropbox for weeks. It’s time to make a change, to take a run at it like I did with Kings & Queens.

And so from the end of last year that’s what I started to do.  I dropped all freelance work except book reviews – I could never give up book reviews. And while it was incredibly painful it was also a huge relief because for the first time in years I was prioritising the career I wanted.

Having time to concentrate made all the difference

A few months later, I have finished editing the manuscript of my YA crime novel, The Girl Who, and have started sending it to agents. Having the time to concentrate on this project has made all the difference. I know I’m privileged to be able to do it, that I have a husband in work who is able to shoulder the financial burden for a while – many others don’t have that luxury. It’s no wonder the world of writing is so inaccessible for so many – there’ll be a blog on this in the near future as I have a lot to say about this.

Sadly, things did not end well for poor old Kings & Queens. Despite the punishing deadline it’s now languishing in publishing no-man’s-land, like an ageing heir awaiting an abdication, as booksellers didn’t pick it up. But still, it could be the most important book I ever wrote, as it gave me the confidence to carry on.

Book review: Haunted by Ghost Wall

cover of Ghost Wall by Sarah MossOver a thousand years ago out in the Northumberland countryside a girl was sacrificed: kicked, beaten, tortured and finally buried in the bog by her family, her friends and the people she had grown up with. How could a community turn on someone like that, and why?

This eerie scene leads us into Ghost Wall by Sarah Moss – and the presence of the Bog Girl haunts every page, even as we jump forward into the 1990s.

Why anyone would voluntarily live an Iron Age life is a mystery but a small group of enthusiasts is spending the summer doing just that, camped out on the moors hunting and gathering. The Professor and his students are doing it in the name of research, Silvie’s amateur history-buff father Bill does it to fuel his obsession with the Iron Age and Silvie and her mother are doing it because they do whatever Bill tells them or they’ll pay the price.

Bill dominates his family, just as he believes a prehistoric patriarch would and as the little community divides and violent undercurrents emerge, Silvie is torn between loyalty to him and the growing need to break free.

Every word has been carefully chosen

The unnerving link between Silvie and the Bog Girl adds a darkness and sense of anticipation which pulls the reader deep into the story. Sarah Moss’ lyrical writing is silky smooth – the novel is short and every word has been carefully chosen. The lack of quotation marks can make the dialogue a bit difficult to follow, though.

Despite the blurb this isn’t a twisty thriller or a horror novel. Instead it’s punching at bigger themes: domestic abuse, teenage identity and even class issues (part of Bill’s rage springs from resentment – as a working class man he’s patronised and has never been free to pursue his passion for history.)

But at the centre of this book is a bigger question. How many steps away are we from the kind of savagery and superstition which killed Bog Girl? And will Silvie follow in her muddy footsteps, thousands of years after? A disturbing, offbeat and haunting story.

Ghost Wall is out now.

How to edit your novel on Kindle

It’s been two months since I typed The End on my manuscript. I thought it would feel exciting and wonderful, but actually I felt kind of flat. Because although I was pleased to get to the end of my first draft – SIX FLAMING YEARS after starting it – I also knew there was tougher work to come. I dreaded the process of picking apart my hard-woven words, taking out all those flowery bits which seemed so beautiful at the time and crunching the plot.

Yup, I was dreading the editing process.

There’s just something about scrolling through a Word document which bogs me down. I pick apart sentences and shift words around but it’s impossible to step back and look at the broader flow of the story or check the pacing. Reading on-screen or even in an A4 printout doesn’t feel the same as reading a book.

I had the chance to read my book as the average reader would

Before Christmas I sent the manuscript to a kind, generous and straight-talking author friend for feedback and she asked me to send it to her in ebook form so she could read it on her Kindle. After an initial technophobic panic, I downloaded an app called Calibre which allows you to convert Word documents to .mobi or .epub files so they can work on an e-reader. Self published authors will know this process well, but it was new to me.

It suddenly dawned on me that I had the chance to read my book as a reader would. On a Kindle while sitting on the bus, lying in bed or brushing my teeth (Just me? Probably.)

It didn’t take long to convert the latest version of my MS (instructions are below if you haven’t done it before) and I got a genuine kick out of seeing my words on the Kindle screen. It felt more like an actual book than it ever had before.

Reading in that format prevented me from stopping every few minutes to perform major (probably unnecessary) surgery on an actually-probably-OK paragraph but I could still use the highlight and note features to jot things down as I went along.

It’s been a completely refreshing, new way to look at the book and definitely worth doing if you’re in a slump. Once I’ve finished, I’m planning to keep the ebook in front of me as I make changes which makes me feel one step ahead on the brutal editing process – and one step closer to getting my book off the ground.

How to turn your MS into an e-book (for editing, not self-publishing purposes)

This might be a completely bleeding obvious process for some people, but super handy for others, like me, who are new to this malarkey.

screenshot of calibre app open on a desktop

The Calibre window open on my desktop

1: Download Calibre online. My computer runs on Linux rather than Windows, which is probably why the screen grabs look a bit weird – but Windows versions are available. I used a dummy Masterpiece for the screen grabs – that obviously isn’t the title of my book. I did this because I STILL CAN’T FLIPPING THINK OF A GOOD TITLE FOR MY WIP DAMMIT.

2: Open Calibre and go to Add Books to import your document.

click on Output Format at top left to convert to .mobi

Add a cover then click on Output Format at top left to convert to .mobi

3: Then select your book and click on Convert Books. Go to Output Format and select .mobi for a Kindle. Other readers can run .epub documents. I added a random photo of an Elvis impersonator as a cover, just to see if it worked. It showed up in the actual document but, disappointingly, not on my Kindle homepage.

4: Hook up your Kindle to your computer and drag-and-drop your mobi into the documents folder with your other ebooks. You can obviously try to email it using your Kindle email address but I’ve had patchy results with this.

If you decide to try this too – or have used it lots before – let me know how you get on!

All about being stuck in the middle of a novel with no end in sight

How writers need networks

Twisted fairy tales: The Hazel Wood and beyond

If you’ve ever read real fairy tales, you’ll know the concept of a fairytale ending is far from perfect. Before Disney got his sugar-coated hands on them, they were dark, stark teaching tales – some of them with an obvious moral, others simply twisted stories that people passed around at night to scare the petticoats off each other.

page from a fairy tale book illustrating rapunzel including a picture of a witch and tangled treesBluebeard’s chamber was full of the corpses of his former wives, characters are blinded, torn apart by wild animals. It’s worse of course if you’re the stepmother. You could be tricked into eating the minced-up body of your own daughter, rolled down a hill in a barrel lined with nails or, if you were foolish enough to be cruel to Snow White, you could end up with your feet being forced into red-hot iron shoes and dancing yourself to death.

Nope, real fairy tales – not so nice.pages from a fairytale book pictures of two giants on the rampage

Over the years many authors have drawn inspiration from this fairytale darkness, but Melissa Albert takes it to a new level. Her novel, The Hazel Wood, manages to out-grim the Brothers Grimm.

Seventeen-year-old Alice spent her life on the run across America with her wonderful but erratic mother, who was always bundling her into the car and hitting the road at the first sign of trouble. It’s no wonder that she becomes obsessed with her rich, eccentric grandmother, Althea Prosperine.

The Hazel Wood manages to out-grim the Brothers Grimm

Althea’s book of fairytales became a cult hit in the postwar years, enabling her to buy a huge estate north of New York, called The Hazel Wood. She since became a recluse, and her book mysteriously vanished from shelves which only feeds Alice’s fascination.

Then Alice’s mother is kidnapped and Alice herself begins to realise that the frighteningimage of a fairytale book open at an illustration of the wild swans creatures from her grandmother’s tales might not be fictitious after all.

The Hazel Wood’s strength is that Melissa Albert has weaved a whole host of new tales rather than relying on the ones we grew up with, so they feel oddly familiar but warped and twisted. Some of the stories are woven into the book, but others are just alluded to, with horrific names such as Twice Killed Katherine.

I’d like to have read more of the actual fairytales themselves, although it could be the author decided to keep us in the dark to add to that sense of the unknown. Perhaps there’ll be a spin-off volume later, JK Rowling style.

Cover of The Hazel Wood by Melissa AlbertIt’s a hugely accomplished book for a debut author, beautifully written and atmospheric. The heroine is tough, scrappy and flawed – although her anger issues are more talked-about than experienced, it would have been fun to explore them more. I had a bit of a crush on her sidekick, Ellery Finch. I’m not at all surprised that the film rights have been sold already.

After finishing The Hazel Wood I immediately went to my fairy tale shelf (yes, I have one) and dipped into The Annotated Brothers Grimm, edited by the incredibly knowledgeable Maria Tatar. Re-reading Tatar’s matter-of-fact tone and footnotes, plus ominous titles such as The Hand With The Knife, the link with The Hazel Wood is clear to see. Pick up a copy of both and dive in… Just don’t read them to your children.

The Hazel Wood is out now

The images are from my 1970s volume of Classic Fairy Tales, which is what started this whole thing for me in the first place.

Book review: The Truth And Lies of Ella Black

the truth and lies of ella black by emily barrElla Black is a good girl, to the point of boring. She studies hard, she keeps her head down and the craziest thing she’s ever done is dye her hair purple. But the reason she’s so good is that she has an alter-ego – the violent, destructive Bella. The first time Bella makes an appearance she does something so shocking I almost dropped the book and it’s clear why Ella needs to keep on the straight and narrow and keep Bella under control.

But then one day her parents collect her from school early and, without explaining why, fly her to Rio de Janeiro. There Ella learns the truth about herself – a truth which unleashes Bella in all her crazed glory and that means her safe, comfortable life has gone forever…

That’s the setup for The Truth And Lies of Ella Black, by Emily Barr – who specialises in weaving travel and exotic locations into gripping plots. This is her second novel for young adults (I also loved The One Memory Of Flora Banks last year) and I know fans are going to love it.

Teenage me loves Ella’s longing for adventure… adult me loves the dark suspense

Whenever I read a YA novel there are actually two people reading. There’s me – the not-so-young adult writer and book fanatic, and then there’s teenage me holed up in my pretentious looking bedroom waiting for the day when something will happen to change my life forever too.

teenage me sitting at my desk with lots of books in the background and my pet dog jack photobombing me

Teen me in my bookish bedroom being photobombed by my collie, Jack.

Most of the time the books I love now aren’t the same as the books I loved then. I never wanted to read about girls like me, going to school and worrying about friendships and boys – I had enough of that in my day to day life. I wanted fairytale romance and pure escapism. These days I like my stories grittier, my characters more flawed. But Ella Black appeals to both versions of me.

What Emily Barr does so well is create a sense of escapism – for teens desperate to explore the world her description of the beaches, streets and favelas of Rio is compelling and addictive – like Ella you want to find out what’s around the corner. Teenage me loves Ella and identifies with her longing for adventure – adult me loves the dark suspense over what Bella will do next and the slow creeping realisation of what her secret really is. All of me wants to book a ticket to Brazil, like, RIGHT NOW.

It’s a thriller, a coming of age novel with a splash of South American colour a slice of romance and added zombie parades. Teenagers of all ages will long to dive in.

The Truth And Lies of Ella Black by Emily Barr is out now

Book review: And I Darken

It’s not easy being a girl in 15th Century Wallachia – ignored by your thuggish father, destined for a future in the shadow of your quite clearly inferior brother, possibly traded off in marriage as a favour to some mediocre local. But Lada Dracul doesn’t waste any time on self-pity. She’s too busy crushing her enemies (and sometimes her friends too) in her ruthless determination to bow to nobody in life.

This is the strange, violent, ambitious and quite possibly psychopathic central character of Kirsten White’s new series of historical novels. I started reading half-expecting vampires – mainly because of the title and Lada’s surname. But there’s no supernatural element here, although it wouldn’t be the slightest bit surprising to find Lada drinking blood at some point.

Lada is a seething mass of rage, ambition and barely concealed violence

Because this is historical fiction with a twist. Lada Dracul really did exist, but she was a he better known as Vlad the Impaler. He of the heads-on-spikes, the inspiration behind the original Dracula story. Feminise a character like that and you get the ultimate kick-ass heroine. Not the strong-woman trope so beloved by Hollywood (you know the type – can throw a punch, but is actually pretty good-hearted, counsels restraint and steps aside to allow the male hero to shine.) No, Lada is a seething mass of rage, ambition and barely concealed violence and yet somehow manages to stay absorbing and (mostly) sympathetic.

The book tells the story of Lada and her brother Radu, raised by a power hungry nobleman then carelessly sent to Istanbul as political hostages. Radu immerses himself in the local culture and Islam while Lada fights to keep her identity while being drawn into the web of palace politics. There’s drama, intrigue and an unexpected love triangle, the book is tightly plotted and bursting with action as the pair and their friend Mehmed fight to survive in the cutthroat atmosphere of the court.

Lada Dracul, better known as Vlad the Impaler

Part of the reason the book works so well is the dual narration. Fascinating as she is, Lada’s savagery might be tough to take for 500 plus pages – but Radu’s more sensitive nature and his own sometimes heartbreaking story adds feeling and depth, as well as carrying the plot forward. He’s the one who is basically good hearted and counsels restraint.

However, action packed as the book is it sometimes feels like Lada is waiting, biding her time at court until she’s ready to unleash her own bloodthirsty reign across Europe. At times I was desperate for her to just up and leave. But on the plus side this probably means that book two (out next summer) will be even more action packed… I’m pre-ordering it as next year’s sunlounger read already.

And I Darken by Kiersten White is out now

AND I DARKEN cover